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Adventures on Film

Film Photography & Darkroom Printing Workshops, Portrait & Event Photography Huddersfield West Yorkshire
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Welcome to my Blog!  a place to hear about my ongoing obsession with film photography. We'll take a look behind the scenes on some of my creative projects, completely unscientific and subjective camera, lens and film reviews and most importantly photographs!

Adventures on Film Newsletter

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Featured
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Nov 5, 2023
Portrait Shoots with the Carl Zeiss Sonnar 180mm 2.8 adapted to Pentax 67
Nov 5, 2023
Nov 5, 2023
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Oct 27, 2023
Kodak Aero Ektar 178mm 2.5 lens adapted to Pentax 67
Oct 27, 2023
Oct 27, 2023
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Oct 26, 2023
Studio Portraits with the Speed Graphic and Lomography Lomograflock
Oct 26, 2023
Oct 26, 2023
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Feb 28, 2023
Olympus Trip 35 & Elektra 100 25mm Film Review for Film Camera Store
Feb 28, 2023
Feb 28, 2023
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Feb 12, 2023
Choosing the 'right' film camera
Feb 12, 2023
Feb 12, 2023
Featured in Yorkshire Life Magazine - Event Photography for Slaithwaite Moonraking Festival
Feb 7, 2023
Featured in Yorkshire Life Magazine - Event Photography for Slaithwaite Moonraking Festival
Feb 7, 2023
Feb 7, 2023
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Feb 4, 2023
Featured in Silvergrain Classics Magazine!
Feb 4, 2023
Feb 4, 2023
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Jan 25, 2023
Pentax 67 and the Carl Zeiss Sonnar 180 2.8 - a match made in Heaven (or more specifically Poland)
Jan 25, 2023
Jan 25, 2023
Darkroom Printing Workshop
Jan 1, 2023
Darkroom Printing Workshop
Jan 1, 2023
Jan 1, 2023
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Dec 1, 2022
Let's Shoot Film
Dec 1, 2022
Dec 1, 2022
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Nov 2, 2022
Our first Shoot, Develop & Print Workshop
Nov 2, 2022
Nov 2, 2022
Shoot, Develop & Print - Workshops in our Darkroom
Nov 1, 2022
Shoot, Develop & Print - Workshops in our Darkroom
Nov 1, 2022
Nov 1, 2022
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Oct 21, 2022
lomograflok- shooting instax wide film on the speed graphic
Oct 21, 2022
Oct 21, 2022
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Sep 18, 2022
Something Old and Something New: Shooting Portraits with the Speed Graphic, Kodak Aero Ektar & Lomograflok instant film back
Sep 18, 2022
Sep 18, 2022
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May 6, 2022
More is More: Medium Format and 35mm Portraits on Black and white film
May 6, 2022
May 6, 2022
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Dec 30, 2021
Going for Gold!! Kodak Gold 200 Review
Dec 30, 2021
Dec 30, 2021
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Dec 23, 2021
Fomapan 400 Review - Street Portrait Shoot
Dec 23, 2021
Dec 23, 2021
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Oct 17, 2021
Helios 40-2N Review or Digital Photography: A Slight Return...
Oct 17, 2021
Oct 17, 2021
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Jun 14, 2021
NIkon L35 AF Review
Jun 14, 2021
Jun 14, 2021
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Jun 3, 2021
Can you dig it? Shooting Rollei Retro 80S with an Orange Filter
Jun 3, 2021
Jun 3, 2021
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May 31, 2021
Lomography Colour 100 medium format review
May 31, 2021
May 31, 2021
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May 18, 2021
Film Photography Workshops - Start your Adventure on Film!
May 18, 2021
May 18, 2021
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May 16, 2021
Lomography Lomochrome Purple Review
May 16, 2021
May 16, 2021
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Apr 11, 2021
Holga 120N - the all weather camera!
Apr 11, 2021
Apr 11, 2021
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Mar 12, 2021
New Topographics - finding the extraordinary in the every day world
Mar 12, 2021
Mar 12, 2021
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Feb 9, 2021
Writing a film photography blog
Feb 9, 2021
Feb 9, 2021
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Dec 17, 2020
Holga Portraits
Dec 17, 2020
Dec 17, 2020
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Nov 18, 2020
Lens Test: Portrait shoots comparing the Helios 44 to the Helios 44-2
Nov 18, 2020
Nov 18, 2020
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Nov 16, 2020
Nikon F3HP review or If at first you don't succeed buy another Nikon F3
Nov 16, 2020
Nov 16, 2020
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Aug 13, 2020
It's hip to be square: Kiev 88 / ARAX CM review
Aug 13, 2020
Aug 13, 2020

Choosing the 'right' film camera

February 12, 2023

Over the years of shooting film (and writing this blog) I’ve learned a few lessons (often times the hard way) about using different cameras.

I regularly get questions from people asking me what camera I think they should buy - whether they are just starting out or simply looking for something new in their collection. I wanted to pull together some thoughts and reflections on my experiences to date and offer up some suggestions on choosing the ‘right’ camera - or perhaps more accurately the camera that is ‘right for you’.

I will caveat the whole thing by saying that the trial and error process is something to be embraced!! I STRONGLY recommend getting out there and finding out for yourself about this or that camera or lens or film or whatever! There are far too many internet rumours circulated out there by self appointed ‘experts’ stating that you should / shouldn’t do this / that / the other…. sod that my friends!

Finding out for yourself and gaining first hand insights is a huge part of the journey. Rather than setting out any rules - I hope to offer you some starting points for your own exploration and adventure!!

If you ask any film photographer for a recommendation it is natural that they would start by suggesting the very cameras that they own themselves, after all it’s what they have experience with - it’s no different here either so I am going to point you in the direction of cameras that I am familiar with.

I’ve focussed on manual focus SLR cameras as I think they’re a good place to begin, generally easy to get hold of and were originally designed for a mass market (so there’s something for everyone).

I’ve put together four 35mm SLR cameras that I really enjoyed shooting with and represent a cross section within the SLR category - roughly speaking there’s a cheap option, a slightly more expensive one, an even more slightly expensive one and then what I consider to be the ultimate one (for me).

What they share in common is that they are all manual focus 35mm SLR’s and therefore represent a great place to begin if you’re just starting out and looking for your first camera (or if you’ve got millions of cameras already and just want to buy another one) The struggle is real! :D

A manual focus 35mm SLR with a 50mm lens will give you a wonderfully flexible set up with the creative control that can cover any situation - most of these cameras have some automatic features too (some more than others) and the manual focussing part is a great way to focus your full attention on your subject.

For all of these cameras the stock 50mm (or 55mm) lens that often comes with the body is the one to start with, you can fall down the rabbit hole of more exotic glass once you’ve found the body (and therefore lens mount) that works for you!

You don’t have to get hung up on the big name brands (unless you want to) but if you want to keep things low cost there’s a lot of really great kit available at a good price - especially if you’re open to shooting with some less well known brand names or models that were aimed at consumers rather than professional users back in the day. My top tip is to have a think about which lens mount/system you are drawn to, check out other people’s work to see some examples.

Ok enough waffle, allow me to present to you four 35mm SLR cameras that are worth closer inspection - click on the links below to visit the original blog post for each camera:

Chinon CE4S - a compact but fully featured camera that can be found at a bargain price.

Nikon FE - This was my gateway into the cult of Nikon / Nikkor! The original FE can still be found for a good price if you shop around.

Pentax Spotmatic - An M42 mount camera with superb build quality and access to a range of hundreds of different lenses, a great bargain option.

Nikon F2 - the only 35mm film camera you will ever need! This was Nikon’s flag ship professional camera from back in the day and it’s amazing!

So there we go - totally unscientific and entirely subjective suggestions (which are in keeping with everything else on this blog) I heartily recommend you give a 35mm SLR as a starting point for shooting with film - it will allow you to fully grasp the different aspects of photography and the creative control that you have as a photographer without breaking the bank.

It’s worth stating that of course I think all of these options are great - some do slightly different things than the others but in most respects they are very similar.

Because shooting a camera is such a tactile process (especially a vintage manual focus camera) it’s important to get hands on experience and see how it makes you feel - such an important part of the process, a camera should inspire you to pick it up and shoot.

I’ve had plenty of cameras that were a massive pain in the neck to work with and yet somehow they kept drawing me back, so it’s not a linear process we’re talking about, it’s much more in the realm of emotions - all that being said we cannot lose sight of the fact that a camera in and of itself is just a means to an end. It won’t make you a better or more creative photographer - but… if it inspires you to get out and shoot then it is enabling your creativity in some way.

Let me know what your top choice of camera would be?

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