travel

Just Passing Through

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Hello there! long time no see! It feels like a long time since the last blog although looking back it seems I’ve managed to keep it to one post per month just about! My (non photography) work has taken off in a big way and I’m now working away quite a bit and whilst being on the road is certainly a great experience it does eat into my time for things like blogging and of course being away from home and family for prolonged stints is hard too. It is cool that I get to travel though and see all sorts of weird, wonderful and sometimes just plain ordinary places - it also helps that I have a firm belief that if we have the eyes to see it, the world around us is full of images just waiting to be discovered - good job i write a blog then innit?!

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So what have I been shooting whilst out and about, well literally that…these images represent moments on the go, on the bounce, on the hop, out and about, in betweener moments - inbetween meetings, in between appointments, in between places and spaces, hurrying along to catch a train, a bus, a plane - that in between mindest when you’re moving from one place to the next, just passing through, finding a route, not putting down roots…

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I’d love to stalk the streets for hours on end searching for the perfect shot, the decisive moment but when I’m travelling it’s often as I’m on my way from point A to point B that I have the opportunity to take in my surroundings, to connect however fleetingly and momentarily through the lens of my camera.

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I titled todays post ‘passing through’ by which i mean to draw attention to the difference between being a passer by and the act of passing through places and spaces. Passing by suggests an act of avoidance, a disconnect, whilst passing through a place denotes a willingness to explore, to experience, to navigate, to see…the gift we bring is an outsiders eye, a newcomers curiosity but this is neccesarily a temporary state of being with a transcience that will inevitably lead us out of reach.

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As you’ll have no doubt guessed by now this isn’t a technical review post - I definitely subscribe to the idea that the act of photography is about more than a set of techniques and their technical application (althogh these are of course important aspects, they are ultimately a means to an end not the end itself)

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So what end is being achieved here? What is the intent? With these images and subsequent blog post I wanted to apply a more intentional mindset to my work so that it’s less about ‘testing’ the various aspects of a camera and film combo in order to write about it on the interweb and more about creating images which have an underlying theme as in todays case, I’m also interested in incorporated elements of storytelling and exploring different themes, thoughts and emotions through my work and I’m working on several projects to that end as we speak (or as I type - whatever, you get the idea)!

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These images represent the beginnings of a train of thought for my photography, a desire to create a body of work that is ‘connected’ with the theme of passing through which prompts a reflection on how we navigate the world around us, both physical and metaphorical, are we passers by in our own lives? We are bombarded with imagery online and onland which seek to capture our time and attention, can we make time and space to set ourselves apart from the hubub of modern life and simply ‘be’ in a place, eyes open to the expanse of infinite possibilities of fleeting moments.

And if all of that sounds a bit grandiose then as the great Ferris Beuler once said “life moves pretty fast, you might miss it if you don’t stop and look around once in a while” Amen to that!

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For those who are interested the majority of these images were shot on an Olympus 35RC with a couple of shots from my Holga 120N thrown in for good measure films are Kodak Double X, JCH streetpan and Ilford HP5 all developed at home by my own fair hand….I’ll still write gear reviews of course but I’d like to think that at least some of my photography is capable of being more than window dressing for a rambling rumination on the vagaries of X film combined with Y developer to produce Z effect or extolling the virtues of A lens, B camera and C film - this may just be wistful thinking on my part, the true test comes via your contribution dear viewer and how you receive the images, if you made it this far then my sincere thanks for passing through…

Nikon FE Review

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I have been on the look out to join the Nikon film camera gang for ages - it's a proper gang with hats and handshakes and everything - and now I have! Welcome the Nikon FE!! Is this another case of Gear Acquistion Syndrome you ask? yes, probably! Does this camera do anything special that my other 35mm SLR's don't? no. not really? do I love it anyway? Damn straight I do!! here's why!

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So upon handling the camera the first thing you notice is the build quality it's really well put together, feels solid and the mechanical components feel smooth and sounds great (the all important shutter 'schtick' noise is present and correct) but obviously you'd expect that since back in the day Nikon were undisputed purveyors of quality cameras.

In fact (at least initially anyway) the only fly in the ointment is the lens - or should i say the action of the lens, coming from a line up of OM and Pentax cameras I have to say that at first glance the basic Nikkor 50mm 1.8 lens didn't pass muster with me in terms of the focus ring which manages to feel loose and notchy all at the same time and makes fine focussing a bit of a faff to be honest.... I've gotten more used to it having shot a few rolls of film with it now so perhaps it just takes a bit of getting used to, the flip side of this is that now all my OM and Pentax lenses feel a bit stiff! (will the madness never end)?!!! :P

I'll have to see how I go with this lens though it is more likley is that my copy has seen one too many turns and is literally a bit worse for wear - it's ok to use but it doesn't exactly scream 'quality' when you're using it, and achieving fine focus is a bit of a chore twisting the focus ring back and forth so I'm now actively on the look out for it's posher older brother the 50mm 1.4

A juicy red apple is nice, but not every apple is red..... super sharp shooter Nikkor 50mm 1.8

A juicy red apple is nice, but not every apple is red..... super sharp shooter Nikkor 50mm 1.8

You cannot argue with the quality of the optics on the 50mm 1.8 thought - seriously very good! The next couple of images were taken on a short walk around my village - the people's republic of Slawit, shot on Lomography 400 Colour film, unfortunately some of the frames have what appears to be a light leak across one side with a band of blue ish light affecting the image, bit of a pain really, or maybe that'sa special 'Lomo' feature for the film!! I'll change the light seals and see if there's an improvement - otherwise I like the Lomo 400 film it's a cheap alternative colour film, in fact I'm going to be shooting a LOT more colour film as I've been totally focussing on Black and White for ages and feel like a change. The weird thing is that I don't think it's the camera as the roll of HP5 i shot doesn't have any of these issues - ah the joys of shooting 40 year old cameras I guess, comes with the territory!

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Focus ring faffing aside shooting with the FE is otherwise great, the controls are well placed (although at the risk of offending my new Nikon gang mates) I still prefer the OM2n layout - being able to control aperture and shutter with one hand whilst not taking your eye away from the viewfinder is a dream! again - it's probably just my technique having grown accustomed to the Olympus 'way'

These next three images were shot on Kodak Portra 400 with my recently added Series E 100mm 2,8 lens and I have to say that I love this combination! the lens was very cheap for how well it performs and of course Portra 400 is a fantastic film to play with, I took it for a spin around Huddersfield town centre and also grabbed a portrait of my friend Marco too.

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My Nikon FE is in great condition - it's clearly been used over the years with a bit of brassing and the odd dent/scrape here and there but in my experience that's a good sign! Mechanically the FE is smooth as silk and runs really well, whenever I've bought cosmetically 'mint' cameras they can often have internal issues as the reason they are 'mint' is they've sat in uncle nobheads cupboard since 1972 and never had a roll of film put through them, it's usually much better to have a camera that has been used as intended although it may have picked up a bit of battle damage along the way.

I bought mine from West Yorkshire Cameras - a big thank you to Howard and Hattie for being super helpful and for running such an awesome shop, if you're ever in Leeds I highly recommend a visit!

The following black and white images were a good test of the Nikkor 50mm 1.8 focussing whilst trying to get my little boy to sit still for half a second (an impossible task)! I shot HP5 rated at 800 and developed semi stand in Rodinal and I'm really happy with how they came out, the 50mm 1.8 lens really is very sharp and contrasty so I can forgive it's wobbly focussing!

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So in short I flippin love this camera, it's very well put together, the lenses are sharp and contrasty just the way I like! I'm now on the look out for some more of the legendary Nikon glass to put in front of the FE so watch this space as the next few blogs are likley to be all about those!

In the meantime if you've enjoyed today's blog post why not subscribe to the blog and get updates on new posts - see you next time! :)