kodak

Street Portraiture on 35mm film with the Nikon FE2 & F2

 
Partners in crime - my trusty FE2 (left) alongside it’s new bezzie mate the F2

Partners in crime - my trusty FE2 (left) alongside it’s new bezzie mate the F2

Lots and lots and lots to update you with since the last blog post which was all the way back in December!! I’ve been mega busy with lots of different projects and got loads to tell you all about, so since it’s almost a quarter of the way through already let’s finally get the 2019 blogging season off to a start shall we!

Remember last time I was saying things like “I’m going to focus more on creating photos” and “I won’t be doing as many gear reviews” and “gear just gets in the way” well I still think that’s true but owing to my contrary nature I’d like to introduce you to my latest gear acquistion… the Nikon F2!! Rather than just a boring old review thought this time I’ll be sharing some images i shot with this amazing camera on a recent portrait shoot as well, but first let me take you for a walk around the F2

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Ever since selling my Nikon F3 last year I have had a Nikon F Series shaped hole in my heart/camera collection (check out this link for the reason why I sold the F3) back in mid December I decided (after not very much deliberation) to buy myself an F2, cos ya know..I worked really hard last year and it’s nice to treat yourself every now and again and it was the run up to Christmas and… well, you get the idea…

I found this beauty on Evilbay for the ridiculous price of £70 and so a deal was done, the caveat being that the camera was from Japan so taking a bit of a punt on condition and shipping times, but as with my previous experience of international purchases the shipping is mega quick, it’s really only on arrival into the custody of Her Mahesty’s rip off merchants here in good old blighty that things slow down, after an almost literal ice age in UK customs my camera was finally released to me and there was much merry making and feasting by all….. sort of… two things became clear fairly quickly 1: it was in very good condition and functionally worked perfectly 2: there were traces of dreaded fungus in the viewfinder and in the mirrorbox which didn’t bode well and therefore i was going to have to shell out some more cash (and wait even longer) before getting to grips with the F2 - it’s all sorted now though, fresh from a good clean and service I even managed to negotiate a part refund from the ebay seller which paid towards the cleaning :)

There’s oodles of info out there on the interwebs about the F2 so there’s not much point in me re-hashing it all, suffice it to say that between 1971 and 1980 if you wanted a professional level Nikon SLR then this was it!! Instead of reeling off a list of it’s features and functions I’m going to share with you a series of images I shot with both the F2 and my trusty Nikon FE2 on a portrait shoot recently, I’ll share my experience of shooting with it too of course and no doubt indulge in some techno-babble along the way as is my want…

Oh yes and interesting/geeky factoid alert! The serial number on my F2 is 7865098 and thanks to the wonders of the internet and some Nikon nerds who collate all this info I was able to date manufature of my particular camera to between May & August 1977 - so this camera is only a few months older than me! :)

Ok so that’s enough camera geekery for one blog, what’s the damn thing like to shoot I hear you cry… well… it’s amazing! build quality is second to none, it just feels very well balanced despite being quite a large camera, the viewfinder is HUGE and bright and lovely which makes manual focussing a doddle, alongside the ever brilliant FE2 I now have my perfect 35mm dynamic duo!

Portra 160 with the FE2 and series e 100mm 2.8

Portra 160 with the FE2 and series e 100mm 2.8

These images were taken on a portrait shoot with Model Rebecca back in Feb when we had a mini heat wave - I was so glad we made the most of the sunshine! The FE2 was loaded with a roll of Portra 160 and with the F2 I shot a roll of Fuji Acros 100 and a roll of Portra 400 - I enjoyed using this combination of film and cameras so much and was very happy with the results that I decided right there and then that I’m going to shoot film from now on for portraiture.

Fuji Acros 100 on the F2 with Nikkor 50m 1.4

Fuji Acros 100 on the F2 with Nikkor 50m 1.4

Let’s take a moment to reflect on the film stocks used on this shoot - I’ve had a couple of rolls of Fuji Acros 100 on ice in the freezer for a few years now and since buying it Fuji have discontinued production :( having only shot one roll of it before I figured I’d give it a whirl and I love the results, developed in HC110 it has a clean and balanced finished with lovely contrast.

Colour film duties were fulfilled by Kodak Portra one roll each of 160 and 400 flavours - I think i overexposed the 400 speed a couple of stops to 200 and shot 160 at box speed - having developed these myself I had some issues getting the right colour balance when scanning at home and for some frames it took me a little while to get the colours to look and feel ‘right’

Portra 400 on the FE 2 with Nikkor 24mmm 2.8

Portra 400 on the FE 2 with Nikkor 24mmm 2.8

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So there we have it - I was so pleased with how both cameras performed and I continue to be impressed at the quality of the Nikon lenses, the images here were shot on the Nikkor 50mm 1.4, Nikkor 24mm 2.8 and the Series E 100mm 2.8 - super sharp shooters the lot of them! If you’ve not tried an old Nikon camera and lens I would urge you to do so - there’s a reason why these were the manufacturer of choice for professionals back in the day.

Portra 160 on the FE2 series e 100mm 2.8

Portra 160 on the FE2 series e 100mm 2.8

I developed the colour film at home too - the first time in a long time that I’ve done that, I was really pleased with how they came out and I’ve got a write up of the process and kit that I used on the way, I promise it won’t be another 3 months before I write another blog, in the meantime happy shooting!




Just Passing Through

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Hello there! long time no see! It feels like a long time since the last blog although looking back it seems I’ve managed to keep it to one post per month just about! My (non photography) work has taken off in a big way and I’m now working away quite a bit and whilst being on the road is certainly a great experience it does eat into my time for things like blogging and of course being away from home and family for prolonged stints is hard too. It is cool that I get to travel though and see all sorts of weird, wonderful and sometimes just plain ordinary places - it also helps that I have a firm belief that if we have the eyes to see it, the world around us is full of images just waiting to be discovered - good job i write a blog then innit?!

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So what have I been shooting whilst out and about, well literally that…these images represent moments on the go, on the bounce, on the hop, out and about, in betweener moments - inbetween meetings, in between appointments, in between places and spaces, hurrying along to catch a train, a bus, a plane - that in between mindest when you’re moving from one place to the next, just passing through, finding a route, not putting down roots…

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I’d love to stalk the streets for hours on end searching for the perfect shot, the decisive moment but when I’m travelling it’s often as I’m on my way from point A to point B that I have the opportunity to take in my surroundings, to connect however fleetingly and momentarily through the lens of my camera.

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I titled todays post ‘passing through’ by which i mean to draw attention to the difference between being a passer by and the act of passing through places and spaces. Passing by suggests an act of avoidance, a disconnect, whilst passing through a place denotes a willingness to explore, to experience, to navigate, to see…the gift we bring is an outsiders eye, a newcomers curiosity but this is neccesarily a temporary state of being with a transcience that will inevitably lead us out of reach.

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As you’ll have no doubt guessed by now this isn’t a technical review post - I definitely subscribe to the idea that the act of photography is about more than a set of techniques and their technical application (althogh these are of course important aspects, they are ultimately a means to an end not the end itself)

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So what end is being achieved here? What is the intent? With these images and subsequent blog post I wanted to apply a more intentional mindset to my work so that it’s less about ‘testing’ the various aspects of a camera and film combo in order to write about it on the interweb and more about creating images which have an underlying theme as in todays case, I’m also interested in incorporated elements of storytelling and exploring different themes, thoughts and emotions through my work and I’m working on several projects to that end as we speak (or as I type - whatever, you get the idea)!

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These images represent the beginnings of a train of thought for my photography, a desire to create a body of work that is ‘connected’ with the theme of passing through which prompts a reflection on how we navigate the world around us, both physical and metaphorical, are we passers by in our own lives? We are bombarded with imagery online and onland which seek to capture our time and attention, can we make time and space to set ourselves apart from the hubub of modern life and simply ‘be’ in a place, eyes open to the expanse of infinite possibilities of fleeting moments.

And if all of that sounds a bit grandiose then as the great Ferris Beuler once said “life moves pretty fast, you might miss it if you don’t stop and look around once in a while” Amen to that!

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For those who are interested the majority of these images were shot on an Olympus 35RC with a couple of shots from my Holga 120N thrown in for good measure films are Kodak Double X, JCH streetpan and Ilford HP5 all developed at home by my own fair hand….I’ll still write gear reviews of course but I’d like to think that at least some of my photography is capable of being more than window dressing for a rambling rumination on the vagaries of X film combined with Y developer to produce Z effect or extolling the virtues of A lens, B camera and C film - this may just be wistful thinking on my part, the true test comes via your contribution dear viewer and how you receive the images, if you made it this far then my sincere thanks for passing through…