modelshoot

Street Portraiture on 35mm film with the Nikon FE2 & F2

 
Partners in crime - my trusty FE2 (left) alongside it’s new bezzie mate the F2

Partners in crime - my trusty FE2 (left) alongside it’s new bezzie mate the F2

Lots and lots and lots to update you with since the last blog post which was all the way back in December!! I’ve been mega busy with lots of different projects and got loads to tell you all about, so since it’s almost a quarter of the way through already let’s finally get the 2019 blogging season off to a start shall we!

Remember last time I was saying things like “I’m going to focus more on creating photos” and “I won’t be doing as many gear reviews” and “gear just gets in the way” well I still think that’s true but owing to my contrary nature I’d like to introduce you to my latest gear acquistion… the Nikon F2!! Rather than just a boring old review thought this time I’ll be sharing some images i shot with this amazing camera on a recent portrait shoot as well, but first let me take you for a walk around the F2

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Ever since selling my Nikon F3 last year I have had a Nikon F Series shaped hole in my heart/camera collection (check out this link for the reason why I sold the F3) back in mid December I decided (after not very much deliberation) to buy myself an F2, cos ya know..I worked really hard last year and it’s nice to treat yourself every now and again and it was the run up to Christmas and… well, you get the idea…

I found this beauty on Evilbay for the ridiculous price of £70 and so a deal was done, the caveat being that the camera was from Japan so taking a bit of a punt on condition and shipping times, but as with my previous experience of international purchases the shipping is mega quick, it’s really only on arrival into the custody of Her Mahesty’s rip off merchants here in good old blighty that things slow down, after an almost literal ice age in UK customs my camera was finally released to me and there was much merry making and feasting by all….. sort of… two things became clear fairly quickly 1: it was in very good condition and functionally worked perfectly 2: there were traces of dreaded fungus in the viewfinder and in the mirrorbox which didn’t bode well and therefore i was going to have to shell out some more cash (and wait even longer) before getting to grips with the F2 - it’s all sorted now though, fresh from a good clean and service I even managed to negotiate a part refund from the ebay seller which paid towards the cleaning :)

There’s oodles of info out there on the interwebs about the F2 so there’s not much point in me re-hashing it all, suffice it to say that between 1971 and 1980 if you wanted a professional level Nikon SLR then this was it!! Instead of reeling off a list of it’s features and functions I’m going to share with you a series of images I shot with both the F2 and my trusty Nikon FE2 on a portrait shoot recently, I’ll share my experience of shooting with it too of course and no doubt indulge in some techno-babble along the way as is my want…

Oh yes and interesting/geeky factoid alert! The serial number on my F2 is 7865098 and thanks to the wonders of the internet and some Nikon nerds who collate all this info I was able to date manufature of my particular camera to between May & August 1977 - so this camera is only a few months older than me! :)

Ok so that’s enough camera geekery for one blog, what’s the damn thing like to shoot I hear you cry… well… it’s amazing! build quality is second to none, it just feels very well balanced despite being quite a large camera, the viewfinder is HUGE and bright and lovely which makes manual focussing a doddle, alongside the ever brilliant FE2 I now have my perfect 35mm dynamic duo!

Portra 160 with the FE2 and series e 100mm 2.8

Portra 160 with the FE2 and series e 100mm 2.8

These images were taken on a portrait shoot with Model Rebecca back in Feb when we had a mini heat wave - I was so glad we made the most of the sunshine! The FE2 was loaded with a roll of Portra 160 and with the F2 I shot a roll of Fuji Acros 100 and a roll of Portra 400 - I enjoyed using this combination of film and cameras so much and was very happy with the results that I decided right there and then that I’m going to shoot film from now on for portraiture.

Fuji Acros 100 on the F2 with Nikkor 50m 1.4

Fuji Acros 100 on the F2 with Nikkor 50m 1.4

Let’s take a moment to reflect on the film stocks used on this shoot - I’ve had a couple of rolls of Fuji Acros 100 on ice in the freezer for a few years now and since buying it Fuji have discontinued production :( having only shot one roll of it before I figured I’d give it a whirl and I love the results, developed in HC110 it has a clean and balanced finished with lovely contrast.

Colour film duties were fulfilled by Kodak Portra one roll each of 160 and 400 flavours - I think i overexposed the 400 speed a couple of stops to 200 and shot 160 at box speed - having developed these myself I had some issues getting the right colour balance when scanning at home and for some frames it took me a little while to get the colours to look and feel ‘right’

Portra 400 on the FE 2 with Nikkor 24mmm 2.8

Portra 400 on the FE 2 with Nikkor 24mmm 2.8

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So there we have it - I was so pleased with how both cameras performed and I continue to be impressed at the quality of the Nikon lenses, the images here were shot on the Nikkor 50mm 1.4, Nikkor 24mm 2.8 and the Series E 100mm 2.8 - super sharp shooters the lot of them! If you’ve not tried an old Nikon camera and lens I would urge you to do so - there’s a reason why these were the manufacturer of choice for professionals back in the day.

Portra 160 on the FE2 series e 100mm 2.8

Portra 160 on the FE2 series e 100mm 2.8

I developed the colour film at home too - the first time in a long time that I’ve done that, I was really pleased with how they came out and I’ve got a write up of the process and kit that I used on the way, I promise it won’t be another 3 months before I write another blog, in the meantime happy shooting!




Pentax 645 medium format camera review: My new favourite portrait camera

Some cameras attract your attention because of their sleek industrial design others with their classic style and charm - the Pentax 645 is not one of those cameras!

Seen here lurking in it's natural environment -the pentax 645 sneaks up on an unsuspecting roll of Fuji pro 400H.....

Seen here lurking in it's natural environment -the pentax 645 sneaks up on an unsuspecting roll of Fuji pro 400H.....

At first glance the Pentax 645 looks like a big plastic box with a lens sticking out of the front and at second glance it also looks like a big plastic box with a lens sticking out the front, but hey this ain't a beauty contest! it's a camera and a bloody awesome one too! in fact (and yes I know that I say this a lot) it's my new fave camera and i really, really,really-really-really mean it this time, honest.... no, really....

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I think I've reached that point in my film camera tomfoolery where I'm looking for my cameras to do different things or have specific purposes - I've shot loads of different cameras so I can speak with some experience that most 35mm film SLR cameras are a variation on a theme - they have various control layouts/feature sets etc but ultimately they are much of a muchness so whilst I am thinning out my collection of 35mm film cameras which all do pretty much the same thing I am also expanding the collection to include cameras which do things a little bit differently - and therefore in my warped Gear Acquisition Syndrome afflicted brain I can be justified in purchasing...the Pentax 645 which is a medium format film camera and it's amazing, let me introduce you..

The first thing that is obvious is what era this camera hails from - this thing is so 80's it hurts!! the buttons and the chunky design are total give aways and i love it!! despite it's brick like subtlety the 645 is actually very ergonomic and I love the button placement, there are loads of hokey reviews out there on the net talking about all sorts of nonsense about this camera like the viewfinder being dim (it's not - it's VERY bright and HUGE) and there is an even larger amount of claptrap out there about the shutter being VERY LOUD (it's not.... yeah you can hear it but it's not THAT bad) what else... oh yeah people complain about the button placement, for me this is just not an issue at all....this thing is so easy to shoot with!! it has a full range of shutter priority, aperture priority and full manual modes (there are also people out there claiming that the 645 doesn't have a full manual mode, erm yes it does)..... the great thing about all these crap reviews and internet forums recylcing this duff info about the camera is that nobody wants to buy it - so it's CHEAP!!! like REALLY cheap!! hurray!

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These cameras are not particularly common in the UK these days so I imported mine from Japan and even with shipping and Her Majesty's rip off merchants at UK customs it was still a good deal! If you think you want a Pentax 645 then buy one - you will not be dissapointed! Mine came with the standard 75mm 2.8 lens attached already and I very quickly added a 150mm 3.5 lens too - the pentax 645 glass is AMAZING! it's a totally manual focus system and that's the way (a ha a ha) I like it! very smooth focussing action and a lovely bright viewfinder to nail focus - Love it!!

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Above you can see my set up - the Pentax 645 itself sporting the 150mm lens, a spare film back which can be preloaded with film making it much easier in the field to load a new film, a light meter which I've just started using to help nail exposure and of course a few rolls of film - the 645 is a bulky beast, but it's not mega heavy, I use my Joby slingstrap with it and I've carried around for a few hours at a time during a shoot with no bothers.

Anyway enough with the camera review stuff - I don't shoot film just so I can review cameras, in fact the real reason I shoot film is in no small part becuase as a photographer what I like to do is take photographs!! yes i know! crazy! what I mean is I'd like to spend a little more time on the photograph taking side and a little less on the sitting in front of the computer editing side of the euqation - I fully believe that editing and processing is an important part of the photographic process but with film it's a much more hands on process, film also gives you some constraints to work within and I like that too, oh and it looks flipping awesome too - did i mention that already?

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Anyway for someone who is trying to reduce the amount of camera review waffling I don't half bang on about cameras - let's call it a work in progress, now let's talk about the photos instead though shall we? These images were created on a modelshoot with the amazingly talented Pandora Belle - for the shoot we took a walk in the woods on a bright sunny day just outside Bradford in a place called Judy Woods, a beautiful setting with soft light filtered through the trees, the bluebells were in full swing and Pandora suggested a goth look which I think works great in this setting. Over the moon with how these turned out - this is how I want to work from now on, spend more time being much more intentional about visualising the shot and getting the compostion and exposure right during the shoot so that the images look how I imagined right off the bat - beautiful!

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I've been wanting to incorporate film into my professional work for some time now - in particular for portraits, but to do that i first needed to build some experience of shooting portraits on film and at the same time build my portfolio in that direction so i have something to show people, this is where working with models on a TF (Time For) basis is a great option as it helps us both build our portfolios so it's mutually beneficial - it's also a good creative outlet and you can test out new ideas (like shooting with film) without the pressure of a paying client.

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These images were shot on Fuji pro 400H film and wow!! I love how they look - i intentionally overexposed the film which is a way of creating a more light and airy feel to the images and I think it's worked great, what this means is I rate the film as 200 speed so in effect treating it as though it requires twice the amount of light and voila! amazing tones and lovely feel to the photos - I did next to nothing with the scans I got back from Exposure Film Lab because to my eye they look exactly how I'd envisioned things, fantastic stuff :)

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Exposure Film Lab did such a great job of developing and scanning the film - it was my first time using these guys but I have to say they did a wonderful job and I cannot recommend them highly enough, and also a huge thank you to Pandora Belle for working with me on this shoot - she's a very creative and talented model and I'm sure we'll work together again soon!